Our critic reflects on ideology tests at the Smithsonian, censorship at the Whitney, and the first year of the Critic’s Table.
Raquel Cayre and Ariel Ashe combine art and sport, once at opposite sides of a spectrum of interest, now on
Our critic reports on the portraits, people, and human excretions on view in Tribeca, Chelsea, and the Upper East Side.
We’re getting ready to launch our first ever CULTURED at Home issue, packed with one-of-a-kind interiors. Pre-order your copy now and be the first to have it land at your abode.
You’re approaching your limit of complementary articles. For expanded access, become a digital subscriber for less than $2 a week.
Already a Subscriber? Sign in Here
in your life?For less than the price of a cocktail, you can help independent journalism thrive.
Already a Subscriber? Sign in Here
in your life?For less than the price of a cocktail, you can help independent journalism thrive.
Already a Subscriber? Sign in Here
You’re approaching your limit of complementary articles. For expanded access, become a digital subscriber for less than $2 a week.
Already a Subscriber? Sign in Here
Join the Critics’ Table to keep reading and support independent art criticism.
Already a Subscriber? Sign in Here
in your life?For less than the price of a cocktail, you can help independent journalism thrive.
Already a Subscriber? Sign in Here
Already a Subscriber? Sign in Here
Sign up for a digital subscription, starting at less than $2 a week.
Already a Subscriber? Sign in Here
Sign up for a digital subscription, starting at less than $2 a week.
Already a Subscriber? Sign in Here
A Night at the Opera 
