Photography by MARIO SORRENTI

ZAC POSEN

Executive Vice President and Creative Director of Gap Inc.

Fashion’s enfant terrible turned red carpet mainstay took over as executive vice president and creative director of Gap Inc. as attention turned to classic American brands.

WHAT’S SOMETHING PEOPLE GET WRONG ABOUT YOU? That I’m a city person. I’m happiest barefoot in the country.

IF YOU COULD ATTRIBUTE YOUR SUCCESS TO A SINGLE QUALITY, WHAT WOULD IT BE? That’s hard. It’s between resilience and passion.

NAME AN INFLUENCE THAT MIGHT SURPRISE PEOPLE. Jim Henson.

WHEN’S THE LAST TIME YOU SURPRISED YOURSELF IN YOUR PRACTICE? Every day.

“I’m happiest barefoot in the country.”

DESCRIBE A RECENT CROSSROADS AT WHICH YOU FOUND YOURSELF. Choosing to become the executive vice president and creative director at Gap Inc. I was meeting with luxury brands in Europe and in the process of going in-house at one of the Hollywood studios.

WHEN YOU WERE LITTLE, WHAT WERE YOU KNOWN FOR? Song and dance.

WHAT DO YOU THINK IS YOUR BIGGEST CONTRIBUTION TO CULTURE? Fashiontainment.

You’ve almost hit your limit.

You’re approaching your limit of complementary articles. For expanded access, become a digital subscriber for less than $2 a week.

You’re approaching your limit of complementary articles. For expanded access, become a digital subscriber for less than $2 a week.

Already a Subscriber? Sign in Here

You’re approaching your limit of complementary articles. For expanded access, become a digital subscriber for less than $2 a week.

GET ACCESS

Already a Subscriber? Sign in Here

Want more in your life?

For less than the price of a cocktail, you can help independent journalism thrive.

Pop-Up-1_c
Already a Subscriber? Sign in Here
Pop-Up-1_c

Already a Subscriber? Sign in Here

Want more in your life?

For less than the price of a cocktail, you can help independent journalism thrive.

Pop-Up-1_c
Already a Subscriber? Sign in Here
Pop-Up-1_c

Already a Subscriber? Sign in Here

You’ve almost hit your limit.

You’re approaching your limit of complementary articles. For expanded access, become a digital subscriber for less than $2 a week.

You’re approaching your limit of complementary articles. For expanded access, become a digital subscriber for less than $2 a week.
Already a Subscriber? Sign in Here
You’re approaching your limit of complementary articles. For expanded access, become a digital subscriber for less than $2 a week.

Already a Subscriber? Sign in Here

We Have So Much More to Tell You!

This is a Critics' Table subscriber exclusive.

Join the Critics’ Table to keep reading and support independent art criticism.

Already a Subscriber? Sign in Here

Want more in your life?

For less than the price of a cocktail, you can help independent journalism thrive.

Pop-Up-1_c

Already a Subscriber? Sign in Here

Pop-Up-1_c

Already a Subscriber? Sign in Here

We have so much more to tell you.

You’ve reached your limit.

Sign up for a digital subscription, starting at less than $2 a week.

Already a Subscriber? Sign in Here

Want a seat at the table? To continue reading this article, sign up today.

Support independent criticism for $10/month (or just $110/year).

Already a subscriber? Log in.