Photography by MARCO DE SCALZI AND COURTESY OF THE FONDAZIONE NICOLA TRUSSARDI

MASSIMILIANO GIONI

New Museum Artistic Director

The New Museum artistic director, who is known for placing self-taught artists alongside conventionally trained ones, is the mastermind behind the expanded institution’s ambitious inaugural exhibition, “New Humans.”

DESCRIBE A RECENT CROSSROADS AT WHICH YOU FOUND YOURSELF. Bowery and Prince.

WHO DO YOU CALL THE MOST? Cecilia Alemani. She cur(at)es the curator.

WHAT IS YOUR TRADEMARK? Always leave them wanting less.

WHAT’S SOMETHING PEOPLE GET WRONG ABOUT YOU? That I have an Italian accent.

“I believe that art has open arms, so I make shows that blur the boundaries between recognized artists and unconventional figures.”

WHAT DO YOU THINK IS YOUR BIGGEST CONTRIBUTION TO CULTURE? I believe that art has open arms, so I make shows that blur the boundaries between recognized artists and unconventional figures. I make shows where artists present not only their work but their entire creative universe. I call them “introspectives.”

WHAT QUESTION DO YOU ASK YOURSELF MOST OFTEN WHILE YOU’RE MAKING WORK? Is this possible? Is it even advisable? Is it allowed?

WHAT DO YOU WANT NEXT FOR YOURSELF ABOVE ALL ELSE? A day off.

NAME AN INFLUENCE OF YOURS THAT MIGHT SURPRISE PEOPLE. Lucy Lippard.

WHAT KEEPS YOU UP AT NIGHT? The budget.

You’ve almost hit your limit.

You’re approaching your limit of complementary articles. For expanded access, become a digital subscriber for less than $2 a week.

You’re approaching your limit of complementary articles. For expanded access, become a digital subscriber for less than $2 a week.

Already a Subscriber? Sign in Here

You’re approaching your limit of complementary articles. For expanded access, become a digital subscriber for less than $2 a week.

GET ACCESS

Already a Subscriber? Sign in Here

Want more in your life?

For less than the price of a cocktail, you can help independent journalism thrive.

Pop-Up-1_c
Already a Subscriber? Sign in Here
Pop-Up-1_c

Already a Subscriber? Sign in Here

Want more in your life?

For less than the price of a cocktail, you can help independent journalism thrive.

Pop-Up-1_c
Already a Subscriber? Sign in Here
Pop-Up-1_c

Already a Subscriber? Sign in Here

You’ve almost hit your limit.

You’re approaching your limit of complementary articles. For expanded access, become a digital subscriber for less than $2 a week.

You’re approaching your limit of complementary articles. For expanded access, become a digital subscriber for less than $2 a week.
Already a Subscriber? Sign in Here
You’re approaching your limit of complementary articles. For expanded access, become a digital subscriber for less than $2 a week.

Already a Subscriber? Sign in Here

We Have So Much More to Tell You!

This is a Critics' Table subscriber exclusive.

Join the Critics’ Table to keep reading and support independent art criticism.

Already a Subscriber? Sign in Here

Want more in your life?

For less than the price of a cocktail, you can help independent journalism thrive.

Pop-Up-1_c

Already a Subscriber? Sign in Here

Pop-Up-1_c

Already a Subscriber? Sign in Here

We have so much more to tell you.

You’ve reached your limit.

Sign up for a digital subscription, starting at less than $2 a week.

Already a Subscriber? Sign in Here

Want a seat at the table? To continue reading this article, sign up today.

Support independent criticism for $10/month (or just $110/year).

Already a subscriber? Log in.