Photography by JUAN PABLO UBILLA

LUX PASCAL

ALCHEMIST | Actor

The actor was already a star in Chile, where she grew up, long before making her international breakthrough in Narcos. This year, she’ll solidify her place in the industry with the release of Miss Carbón—her first lead role in a feature film.

WHEN YOU WERE LITTLE, WHAT WERE YOU KNOWN FOR? I was rather shy with other kids but very chatty with adults. I always sat at dinner tables with grown-ups and wanted to talk about politics or movies. Definitely thought I was smarter than I was. I wish I could regain that confidence!

WHAT’S ONE BOOK, WORK OF ART, OR FILM THAT GOT YOU THROUGH AN IMPORTANT MOMENT IN YOUR LIFE? The Chronicles of Narnia. I went to a Catholic school that had really good literature teachers. In third grade we read The Lion, the Witch and the Wardrobe and I became obsessed with C.S. Lewis. I read that he was a Christian and that the Narnia books all had a connection with religion and the Bible. Being a kid and being religious was not cool at all, but my love for his books made me realize that there is more complexity to people than what they believe in—and that there is such a thing as timelessness.

“Sure, I get my heart broken every time, but I allow it to happen. I let myself go through difficult times because I like to get to the bottom of things. ”

IF YOU COULD ATTRIBUTE YOUR SUCCESS TO A SINGLE QUALITY OF YOURS, WHAT WOULD IT BE? I am a problem solver and am able to think quite practically about things I am passionate about. Sure, I get my heart broken every time, but I allow it to happen. I let myself go through difficult times because I like to get to the bottom of things. Ultimately, there is a solution to everything.

WHAT QUESTION DO YOU ASK YOURSELF MOST OFTEN WHILE YOU’RE MAKING WORK? How can I have more patience—with others and with myself?

WHAT DO YOU WANT NEXT FOR YOURSELF ABOVE ALL ELSE? I want to have a sustainable relationship with my work, enjoy what I do do, and let go of things that aren’t meant to be, but always keep the wonder alive.

WHAT KEEPS YOU UP AT NIGHT? Excitement… and regret

You’ve almost hit your limit.

You’re approaching your limit of complementary articles. For expanded access, become a digital subscriber for less than $2 a week.

You’re approaching your limit of complementary articles. For expanded access, become a digital subscriber for less than $2 a week.

Already a Subscriber? Sign in Here

You’re approaching your limit of complementary articles. For expanded access, become a digital subscriber for less than $2 a week.

GET ACCESS

Already a Subscriber? Sign in Here

Want more in your life?

For less than the price of a cocktail, you can help independent journalism thrive.

Pop-Up-1_c
Already a Subscriber? Sign in Here
Pop-Up-1_c

Already a Subscriber? Sign in Here

Want more in your life?

For less than the price of a cocktail, you can help independent journalism thrive.

Pop-Up-1_c
Already a Subscriber? Sign in Here
Pop-Up-1_c

Already a Subscriber? Sign in Here

You’ve almost hit your limit.

You’re approaching your limit of complementary articles. For expanded access, become a digital subscriber for less than $2 a week.

You’re approaching your limit of complementary articles. For expanded access, become a digital subscriber for less than $2 a week.
Already a Subscriber? Sign in Here
You’re approaching your limit of complementary articles. For expanded access, become a digital subscriber for less than $2 a week.

Already a Subscriber? Sign in Here

We Have So Much More to Tell You!

This is a Critics' Table subscriber exclusive.

Join the Critics’ Table to keep reading and support independent art criticism.

Already a Subscriber? Sign in Here

Want more in your life?

For less than the price of a cocktail, you can help independent journalism thrive.

Pop-Up-1_c

Already a Subscriber? Sign in Here

Pop-Up-1_c

Already a Subscriber? Sign in Here

We have so much more to tell you.

You’ve reached your limit.

Sign up for a digital subscription, starting at less than $2 a week.

Already a Subscriber? Sign in Here

Want a seat at the table? To continue reading this article, sign up today.

Support independent criticism for $10/month (or just $110/year).

Already a subscriber? Log in.