Photography by Theo Wenner

Annabelle Dexter-Jones

Actor

WHAT IS YOUR CALLING CARD?

I get a new haircut every two weeks. It’s kind of my cure-all, my Windex. Whether it’s for a show or just because, it’s like my weird addiction.

NAME AN INFLUENCE OF YOURS THAT MIGHT SURPRISE PEOPLE.

Jim Carrey. I feel like a lot of people say it was Gena Rowlands’s performance in A Woman Under the Influence that made them want to act. For me, Jim Carrey’s performance in Liar Liar was the thing. Or The Cable Guy. That was a very informative movie for me.

WHEN WAS THE LAST TIME YOU SURPRISED YOURSELF IN YOUR WORK?

My work is to surprise myself. The way I approach acting is by tricking my brain into forgetting that I know what happens next.

““The way I approach acting is by tricking my brain into forgetting that I know what happens next.””

WHO DO YOU CALL THE MOST?

My mother. She’s a professional at talking on the phone. When I was a kid, she would spend time in bed, on the phone with the papers. It’s an indulgence we don’t have anymore because when we’re talking on the phone, we’re often doing a million other things at the same time.

WHEN YOU WERE LITTLE, WHAT WERE YOU KNOWN FOR?

I would force my family to buy tickets to watch me perform Rent as a one-woman show in our living room. It was probably pretty punishing. But that’s what they get for taking me to see Rent. I don’t think I really knew what I was talking about, but I loved it.

You’ve almost hit your limit.

You’re approaching your limit of complementary articles. For expanded access, become a digital subscriber for less than $2 a week.

You’re approaching your limit of complementary articles. For expanded access, become a digital subscriber for less than $2 a week.

Already a Subscriber? Sign in Here

You’re approaching your limit of complementary articles. For expanded access, become a digital subscriber for less than $2 a week.

GET ACCESS

Already a Subscriber? Sign in Here

Want more in your life?

For less than the price of a cocktail, you can help independent journalism thrive.

Pop-Up-1_c
Already a Subscriber? Sign in Here
Pop-Up-1_c

Already a Subscriber? Sign in Here

Want more in your life?

For less than the price of a cocktail, you can help independent journalism thrive.

Pop-Up-1_c
Already a Subscriber? Sign in Here
Pop-Up-1_c

Already a Subscriber? Sign in Here

You’ve almost hit your limit.

You’re approaching your limit of complementary articles. For expanded access, become a digital subscriber for less than $2 a week.

You’re approaching your limit of complementary articles. For expanded access, become a digital subscriber for less than $2 a week.
Already a Subscriber? Sign in Here
You’re approaching your limit of complementary articles. For expanded access, become a digital subscriber for less than $2 a week.

Already a Subscriber? Sign in Here

We Have So Much More to Tell You!

This is a Critics' Table subscriber exclusive.

Join the Critics’ Table to keep reading and support independent art criticism.

Already a Subscriber? Sign in Here

Want more in your life?

For less than the price of a cocktail, you can help independent journalism thrive.

Pop-Up-1_c

Already a Subscriber? Sign in Here

Pop-Up-1_c

Already a Subscriber? Sign in Here

We have so much more to tell you.

You’ve reached your limit.

Sign up for a digital subscription, starting at less than $2 a week.

Already a Subscriber? Sign in Here

Want a seat at the table? To continue reading this article, sign up today.

Support independent criticism for $10/month (or just $110/year).

Already a subscriber? Log in.