DATE

SHARE

Twitter
LinkedIn
Facebook
Email

 

 

L.A.-based artist and activist Christine Tien Wang makes maddeningly pointed paintings and banners that serve as critiques of the state of American incarceration and income inequality. She recently closed a solo show at Night Gallery, and is preparing a solo exhibition set for January at Nagel Draxler in Berlin.

How do you know a work you’ve made is good? When I laugh out loud.

What teacher did you learn the most from in school? Andrea Fraser and Rodney McMillian at UCLA.

How do you find inspiration? By writing stuff down in my journal.

What was your first gallery experience? An installation at Night Gallery in 2012 with my friend Abigail DeVille. We did a two-person show, and it was really great.

What is the best piece of advice you’ve received? Amy Sillman told the class to get a skill, so they could get a day job to support them and make work at the same time.

Do you have any unrealized projects? I have a list of paintings in my sketchbook that I really want to make.

How did you fund your first works? Through a generous grant from my mother and father. When you aren’t in the studio, where are you? Sleeping in my bed.

In your practice, what comes naturally to you and what do you have to force? What comes naturally is listening to audio books every day, and what feels forced is washing my brushes.

We’d Like to Come Home With You Tonight…

We’re getting ready to launch our first ever CULTURED at Home issue, packed with one-of-a-kind interiors. Pre-order your copy now and be the first to have it land at your abode.

You’ve almost hit your limit.

You’re approaching your limit of complementary articles. For expanded access, become a digital subscriber for less than $2 a week.

You’re approaching your limit of complementary articles. For expanded access, become a digital subscriber for less than $2 a week.

Already a Subscriber? Sign in Here

You’re approaching your limit of complementary articles. For expanded access, become a digital subscriber for less than $2 a week.

GET ACCESS

Already a Subscriber? Sign in Here

Want more in your life?

For less than the price of a cocktail, you can help independent journalism thrive.

Pop-Up-1_c
Already a Subscriber? Sign in Here
Pop-Up-1_c

Already a Subscriber? Sign in Here

Want more in your life?

For less than the price of a cocktail, you can help independent journalism thrive.

Pop-Up-1_c
Already a Subscriber? Sign in Here
Pop-Up-1_c

Already a Subscriber? Sign in Here

You’ve almost hit your limit.

You’re approaching your limit of complementary articles. For expanded access, become a digital subscriber for less than $2 a week.

You’re approaching your limit of complementary articles. For expanded access, become a digital subscriber for less than $2 a week.
Already a Subscriber? Sign in Here
You’re approaching your limit of complementary articles. For expanded access, become a digital subscriber for less than $2 a week.

Already a Subscriber? Sign in Here

We Have So Much More to Tell You!

This is a Critics' Table subscriber exclusive.

Join the Critics’ Table to keep reading and support independent art criticism.

Already a Subscriber? Sign in Here

Want more in your life?

For less than the price of a cocktail, you can help independent journalism thrive.

Pop-Up-1_c

Already a Subscriber? Sign in Here

Pop-Up-1_c

Already a Subscriber? Sign in Here

We have so much more to tell you.

You’ve reached your limit.

Sign up for a digital subscription, starting at less than $2 a week.

Already a Subscriber? Sign in Here

Want a seat at the table? To continue reading this article, sign up today.

Support independent criticism for $10/month (or just $110/year).

Already a subscriber? Log in.