DATE

SHARE

Twitter
LinkedIn
Facebook
Email
Derrick Adams, Hug Me Around My Neck, 2022. Image courtesy of Derrick Adams Studio and LGDR.

 

 

“I want for people to see the work and feel empowered and normal,” Derrick Adams told Cultured on the eve of his fall 2017 show “Repose,” at the UTA Artistic Space in Los Angeles. The moment was bookended between two large scale summer exhibitions—“Patrick Kelly: The Journey” at the Studio Museum in Harlem and “Future People” at Stony Island Arts Bank—and "Figures in the Urban Landscape" at Tilton Gallery later that year as well as a group show at Palazzo Pisani in Venice somewhere in between. Five years later, ​the American visual artist ​​is just as busy as ​ever​. Currently preparing for his upcoming show in Hong Kong, "Sweet Spot,"​ Adams made the time to create Cultured's​ next commemorative art cover for the magazine's 10-year anniversary, shown here. Entitled Hug Me Around My Neck, the painting continues ​his signature consideration of the Black body through color and geometric form.​ “Since its inception, I’ve appreciated how Cultured has used its platform to highlight the diversity of who’s who in cultural and creative spaces,” shares the artist. ​

Related Stories

We’d Like to Come Home With You Tonight…

We’re getting ready to launch our first ever CULTURED at Home issue, packed with one-of-a-kind interiors. Pre-order your copy now and be the first to have it land at your abode.

You’ve almost hit your limit.

You’re approaching your limit of complementary articles. For expanded access, become a digital subscriber for less than $2 a week.

You’re approaching your limit of complementary articles. For expanded access, become a digital subscriber for less than $2 a week.

Already a Subscriber? Sign in Here

You’re approaching your limit of complementary articles. For expanded access, become a digital subscriber for less than $2 a week.

GET ACCESS

Already a Subscriber? Sign in Here

Want more in your life?

For less than the price of a cocktail, you can help independent journalism thrive.

Pop-Up-1_c
Already a Subscriber? Sign in Here
Pop-Up-1_c

Already a Subscriber? Sign in Here

Want more in your life?

For less than the price of a cocktail, you can help independent journalism thrive.

Pop-Up-1_c
Already a Subscriber? Sign in Here
Pop-Up-1_c

Already a Subscriber? Sign in Here

You’ve almost hit your limit.

You’re approaching your limit of complementary articles. For expanded access, become a digital subscriber for less than $2 a week.

You’re approaching your limit of complementary articles. For expanded access, become a digital subscriber for less than $2 a week.
Already a Subscriber? Sign in Here
You’re approaching your limit of complementary articles. For expanded access, become a digital subscriber for less than $2 a week.

Already a Subscriber? Sign in Here

We Have So Much More to Tell You!

This is a Critics' Table subscriber exclusive.

Join the Critics’ Table to keep reading and support independent art criticism.

Already a Subscriber? Sign in Here

Want more in your life?

For less than the price of a cocktail, you can help independent journalism thrive.

Pop-Up-1_c

Already a Subscriber? Sign in Here

Pop-Up-1_c

Already a Subscriber? Sign in Here

We have so much more to tell you.

You’ve reached your limit.

Sign up for a digital subscription, starting at less than $2 a week.

Already a Subscriber? Sign in Here

Want a seat at the table? To continue reading this article, sign up today.

Support independent criticism for $10/month (or just $110/year).

Already a subscriber? Log in.