DATE

SHARE

Twitter
LinkedIn
Facebook
Email

Dominique Clayton: How did you begin to build your own collection?

Tina Knowles Lawson: I started collecting almost 35 years ago. I began by researching to find artists in my price range. I knew I wanted to support Black artists and use my collection to do so. It was a must that they be Black.

A work by Radcliffe Bailey. Image courtesy of Tina Knowles Lawson.

DC: Do you remember the first piece you purchased? 

TKL: The first real piece in my collection was a beautiful acrylic work on canvas of a beautiful African woman with a gorgeous head wrap by Charles Bibbs. I put it on lay-away at a gallery until I could purchase it as my first piece of artwork.

Genevieve Gaignard
Henry Ossawa Tanner
Elizabeth Catlett
Robert Pruitt

DC: What designers or artists are inspiring you right now?

TKL: I am loving contemporary artists right now like Toyin Ojih OdutolaBisa Butler, and Robert Pruitt. Of course, Mark Bradford—who is receiving the Art Icon Award at this year’s gala—is one of my favorites, even though he is way out of my league. He inspires me and is a dear friend doing wonderful work in the community.  

DC: What is the last piece you purchased?

TKL: A small, original work by artist Charles White, another favorite artist of mine. The purchase has been my dream for a long time.

We’d Like to Come Home With You Tonight…

We’re getting ready to launch our first ever CULTURED at Home issue, packed with one-of-a-kind interiors. Pre-order your copy now and be the first to have it land at your abode.

You’ve almost hit your limit.

You’re approaching your limit of complementary articles. For expanded access, become a digital subscriber for less than $2 a week.

You’re approaching your limit of complementary articles. For expanded access, become a digital subscriber for less than $2 a week.

Already a Subscriber? Sign in Here

You’re approaching your limit of complementary articles. For expanded access, become a digital subscriber for less than $2 a week.

GET ACCESS

Already a Subscriber? Sign in Here

Want more in your life?

For less than the price of a cocktail, you can help independent journalism thrive.

Pop-Up-1_c
Already a Subscriber? Sign in Here
Pop-Up-1_c

Already a Subscriber? Sign in Here

Want more in your life?

For less than the price of a cocktail, you can help independent journalism thrive.

Pop-Up-1_c
Already a Subscriber? Sign in Here
Pop-Up-1_c

Already a Subscriber? Sign in Here

You’ve almost hit your limit.

You’re approaching your limit of complementary articles. For expanded access, become a digital subscriber for less than $2 a week.

You’re approaching your limit of complementary articles. For expanded access, become a digital subscriber for less than $2 a week.
Already a Subscriber? Sign in Here
You’re approaching your limit of complementary articles. For expanded access, become a digital subscriber for less than $2 a week.

Already a Subscriber? Sign in Here

We Have So Much More to Tell You!

This is a Critics' Table subscriber exclusive.

Join the Critics’ Table to keep reading and support independent art criticism.

Already a Subscriber? Sign in Here

Want more in your life?

For less than the price of a cocktail, you can help independent journalism thrive.

Pop-Up-1_c

Already a Subscriber? Sign in Here

Pop-Up-1_c

Already a Subscriber? Sign in Here

We have so much more to tell you.

You’ve reached your limit.

Sign up for a digital subscription, starting at less than $2 a week.

Already a Subscriber? Sign in Here

Want a seat at the table? To continue reading this article, sign up today.

Support independent criticism for $10/month (or just $110/year).

Already a subscriber? Log in.