WORDS

DATE

SHARE

Twitter
LinkedIn
Facebook
Email

Chain link necklaces, long skater tees, and bright mustard Nikes: the long line of hip New Yorkers wrapped around 79th Street last night resembled more of a Kiki's waitlist than an Upper East Side gallery opening. Anchovied inside Acquavella, bodies brushed past each other to find a universe far from the French neoclassical townhouse its facade implies. Tom Sachs's third showing at the three-generation-owned gallery, which officially opens today, continues the artist's reckoning of the astrological and material worlds that we know, using familiar, DIY, and unexpected material to pierce the concept of galactic transit; specifically that a spaceship is not only a method of transportation but also a vessel for metaphysical and spiritual discovery.

Tom Sachs, Generation Ship, 2019 – 2021.
ABOVE: Tom Sachs, Technics 1200MK3D, 2022. Courtesy of the artist and Acquavella. Photography by Genevieve Hanson.

 

Titled after the pieces Sachs hopes to redefine, "Spaceships" features new and recent sculptures and paintings including, Technics 1200MK3D, 2022, an Arshem-eqsue turntable sculpture and Generation Ship, 2019 – 2022, a mop bucket re-seen as a vessel to tranquility. "There are three reasons people do anything—spirituality, sensuality, and stuff," the artist explained in a statement for the exhibition. "Spirituality is asking the big questions…Sensuality is going where no man has gone before…Stuff is the hardware: a spaceship, a cathedral, a tea bowl. That’s what we make. Our priority is sculpture, but it doesn’t mean shit without the ritual and without the spirituality and the reasons behind it. You’ve gotta have all three.” 

Spaceships” is on view at Acquavella from October 7 to November 26, 2022, at 18 E 79th Street, New York, NY 10075.

We’d Like to Come Home With You Tonight…

We’re getting ready to launch our first ever CULTURED at Home issue, packed with one-of-a-kind interiors. Pre-order your copy now and be the first to have it land at your abode.

You’ve almost hit your limit.

You’re approaching your limit of complementary articles. For expanded access, become a digital subscriber for less than $2 a week.

You’re approaching your limit of complementary articles. For expanded access, become a digital subscriber for less than $2 a week.

Already a Subscriber? Sign in Here

You’re approaching your limit of complementary articles. For expanded access, become a digital subscriber for less than $2 a week.

GET ACCESS

Already a Subscriber? Sign in Here

Want more in your life?

For less than the price of a cocktail, you can help independent journalism thrive.

Pop-Up-1_c
Already a Subscriber? Sign in Here
Pop-Up-1_c

Already a Subscriber? Sign in Here

Want more in your life?

For less than the price of a cocktail, you can help independent journalism thrive.

Pop-Up-1_c
Already a Subscriber? Sign in Here
Pop-Up-1_c

Already a Subscriber? Sign in Here

You’ve almost hit your limit.

You’re approaching your limit of complementary articles. For expanded access, become a digital subscriber for less than $2 a week.

You’re approaching your limit of complementary articles. For expanded access, become a digital subscriber for less than $2 a week.
Already a Subscriber? Sign in Here
You’re approaching your limit of complementary articles. For expanded access, become a digital subscriber for less than $2 a week.

Already a Subscriber? Sign in Here

We Have So Much More to Tell You!

This is a Critics' Table subscriber exclusive.

Join the Critics’ Table to keep reading and support independent art criticism.

Already a Subscriber? Sign in Here

Want more in your life?

For less than the price of a cocktail, you can help independent journalism thrive.

Pop-Up-1_c

Already a Subscriber? Sign in Here

Pop-Up-1_c

Already a Subscriber? Sign in Here

We have so much more to tell you.

You’ve reached your limit.

Sign up for a digital subscription, starting at less than $2 a week.

Already a Subscriber? Sign in Here

Want a seat at the table? To continue reading this article, sign up today.

Support independent criticism for $10/month (or just $110/year).

Already a subscriber? Log in.