The High Museum's annual gala commemorated Saar's contributions to the American art canon, with special live performances and dancing long into the evening.

DATE

SHARE

Twitter
LinkedIn
Facebook
Email

 

Randall Suffolk, Alison Saar, and John Legend. All photography by Derek White/Getty Images and courtesy of the High Museum of Art.

The High Museum honored artist Alison Saar with the annual David C. Driskell Prize last week, marking two decades of the first national award celebrating contributions to the field of African American art. With a live performance by musician John Legend and a bespoke award designed by David Yurman, the evening brought together Atlanta tastemakers, arts leaders, and cultural mainstays to commemorate Saar’s enduring impact.

The Scene: The gala inducted Alison Saar into the company of artists including Amy Sherald, Mark Bradford, and Rashid Johnson with the 2025 David C. Driskell Prize. “At a time when many of the civil rights milestones achieved by previous generations—by our mothers and grandmothers—are being threatened or dismantled, the Driskell Prize empowers Black artists and art historians to push back,” Saar noted last May, upon the announcement of her award recognition.

The Locale: Designed by the Pritzker Prize-winning architects Renzo Piano and Richard Meier, the High Museum is home to over 20,000 works of art, with a special emphasis on artists of the American South, as well as 19th and 20th-century fine and decorative arts.

John Legend
Randall Suffolk, Hassan Smith, Charles Crusoe-Ingram, Alison Saar, and John Legend
Spelman College Womens Choir
Taroue W. Brooks, Lauren Amos, Charlene Crusoe-Ingram, Wade Rakes, Hassan Smith, Nikki and Paul Crump, and Rand Suffolk
Chase Hall
Kevin Lee
DJ D-Nice
Alison Saar
Alison Saar

The Crowd: Special guests descended upon the High Museum to fête the night away, including curators Liz Andrews, Patrick Eugène, Storm Ascher, Melissa Messina, Adrienne L. Childs, and Karen Comer Lowe; artists Chase Hall, Tariku Shiferaw, Patrick Eugene, and Genevieve Gaignard; former fashion editor Robin Givhan; activist Martin Luther King III; collector and patron Dr. Joy Simmons; and producer Zak Wallace.

Memorable Moment: The High Museum of Art’s director, Randall Suffolk, also announced that in Spring 2026, the High Museum will present Amy Sherald’s “American Sublime”—a major retrospective by the 2018 Driskell Prize winner and cover star of CULTURED‘s inaugural Artists on Artists issue.

We’d Like to Come Home With You Tonight…

We’re getting ready to launch our first ever CULTURED at Home issue, packed with one-of-a-kind interiors. Pre-order your copy now and be the first to have it land at your abode.

You’ve almost hit your limit.

You’re approaching your limit of complementary articles. For expanded access, become a digital subscriber for less than $2 a week.

You’re approaching your limit of complementary articles. For expanded access, become a digital subscriber for less than $2 a week.

Already a Subscriber? Sign in Here

You’re approaching your limit of complementary articles. For expanded access, become a digital subscriber for less than $2 a week.

GET ACCESS

Already a Subscriber? Sign in Here

Want more in your life?

For less than the price of a cocktail, you can help independent journalism thrive.

Pop-Up-1_c
Already a Subscriber? Sign in Here
Pop-Up-1_c

Already a Subscriber? Sign in Here

Want more in your life?

For less than the price of a cocktail, you can help independent journalism thrive.

Pop-Up-1_c
Already a Subscriber? Sign in Here
Pop-Up-1_c

Already a Subscriber? Sign in Here

You’ve almost hit your limit.

You’re approaching your limit of complementary articles. For expanded access, become a digital subscriber for less than $2 a week.

You’re approaching your limit of complementary articles. For expanded access, become a digital subscriber for less than $2 a week.
Already a Subscriber? Sign in Here
You’re approaching your limit of complementary articles. For expanded access, become a digital subscriber for less than $2 a week.

Already a Subscriber? Sign in Here

We Have So Much More to Tell You!

This is a Critics' Table subscriber exclusive.

Join the Critics’ Table to keep reading and support independent art criticism.

Already a Subscriber? Sign in Here

Want more in your life?

For less than the price of a cocktail, you can help independent journalism thrive.

Pop-Up-1_c

Already a Subscriber? Sign in Here

Pop-Up-1_c

Already a Subscriber? Sign in Here

We have so much more to tell you.

You’ve reached your limit.

Sign up for a digital subscription, starting at less than $2 a week.

Already a Subscriber? Sign in Here

Want a seat at the table? To continue reading this article, sign up today.

Support independent criticism for $10/month (or just $110/year).

Already a subscriber? Log in.