The photographer has shot editorial images for The Cut, The New York Times, and The New Yorker, but she found her niche in pathos-filled portraits of teenagers.

—THE YOUNG PHOTOGRAPHERS LIST IS PRESENTED BY LEICA—

DATE

SHARE

Twitter
LinkedIn
Facebook
Email
Sara Messinger’s self-portrait. All images courtesy of the artist.

NOMINATED BY MICHAEL FOLEY (DIRECTOR, LEICA GALLERY NY)
26—NEW YORK

Sara Messinger has shot editorial images for The Cut, The New York Times, and The New Yorker, but she found her niche in pathos-filled portraits of teenagers. Earlier this year, her images were shown alongside those of 92-year-old Magnum photographer Bruce Davidson at Leica’s New York gallery.

“[Photographing teenagers] wasn’t so much an active decision; the story found me. I photographed a few of them in the park one day, and after, I kept running into them and saying hi. I was always curious what it was like to grow up in New York. They embodied this authenticity and honesty that I always admired, and that I think I was in search of at that point in my life.

A lot of my work addresses fears from my childhood that have followed me into my adulthood. [I’m] trying to capture a love and honesty that I didn’t experience in my adolescent years, and that I still search for. The fear of not finding this in my life drives me to search for connection through my photography. I will be the first to admit that it’s very difficult to keep yourself going in a time like this. I hope that at the very least, no matter how long it takes to find what you are looking for, the journey is enjoyable.”

Sara Messinger, Gracie blowing bubble gum, 2001.
Sara Messinger, Franky and Polly smoking out of Franky’s bedroom window, 2023.
Sara Messinger, Mary, Sid, Polly, and Caleb skipping school and hanging out in Washington Square Park, 2022.
Sara Messinger, Avril running through the sprinklers with a boyfriend in Tompkins Square Park, 2022.

We’d Like to Come Home With You Tonight…

We’re getting ready to launch our first ever CULTURED at Home issue, packed with one-of-a-kind interiors. Pre-order your copy now and be the first to have it land at your abode.

You’ve almost hit your limit.

You’re approaching your limit of complementary articles. For expanded access, become a digital subscriber for less than $2 a week.

You’re approaching your limit of complementary articles. For expanded access, become a digital subscriber for less than $2 a week.

Already a Subscriber? Sign in Here

You’re approaching your limit of complementary articles. For expanded access, become a digital subscriber for less than $2 a week.

GET ACCESS

Already a Subscriber? Sign in Here

Want more in your life?

For less than the price of a cocktail, you can help independent journalism thrive.

Pop-Up-1_c
Already a Subscriber? Sign in Here
Pop-Up-1_c

Already a Subscriber? Sign in Here

Want more in your life?

For less than the price of a cocktail, you can help independent journalism thrive.

Pop-Up-1_c
Already a Subscriber? Sign in Here
Pop-Up-1_c

Already a Subscriber? Sign in Here

You’ve almost hit your limit.

You’re approaching your limit of complementary articles. For expanded access, become a digital subscriber for less than $2 a week.

You’re approaching your limit of complementary articles. For expanded access, become a digital subscriber for less than $2 a week.
Already a Subscriber? Sign in Here
You’re approaching your limit of complementary articles. For expanded access, become a digital subscriber for less than $2 a week.

Already a Subscriber? Sign in Here

We Have So Much More to Tell You!

This is a Critics' Table subscriber exclusive.

Join the Critics’ Table to keep reading and support independent art criticism.

Already a Subscriber? Sign in Here

Want more in your life?

For less than the price of a cocktail, you can help independent journalism thrive.

Pop-Up-1_c

Already a Subscriber? Sign in Here

Pop-Up-1_c

Already a Subscriber? Sign in Here

We have so much more to tell you.

You’ve reached your limit.

Sign up for a digital subscription, starting at less than $2 a week.

Already a Subscriber? Sign in Here

Want a seat at the table? To continue reading this article, sign up today.

Support independent criticism for $10/month (or just $110/year).

Already a subscriber? Log in.