Elizabeth Fazzare: How did you begin to build your own collection?
Charles Zana: As a child, I would often walk in the neighbourhood of Hôtel Drouot with my father. We would visit galleries and museums, this is when I started buying little things, boxes, books…
EF: What was the first piece you purchased?
CZ: A blue Vennini glass vase from the 1950s, bought from François Laffanour who had just opened his gallery.
EF: Do you have a defining theme to your collection?
CZ: A collection of statement objects, though not in the sense of ostentatious art. I like pieces that tell a story, convey a mood, capture the spirit of an era and break away with the past!
EF: What designers/artists are inspiring you right now?
CZ: Currently I am looking at Scarpa's architecture a lot, I so love his attention to detail! I love contemporary architecture which feeds on local crafts, raw materials and classic proportions but is of a resolutely modern feel!
EF: As a longtime collector of Ettore Sottsass works, how do you feel about the rest of the design world catching onto newfound appreciation for them?
CZ: Sottsass is considered as an artist, a painter, a colourist, and a writer. But he is also and above all an architect, that is the lesson Sottsass gives us today. The fabulous exhibition which has just opened at Centre Pompidou reveals this aspect of Sottsass! Beyond Sottsass begins the magical.
EF: What current collecting trends are on your radar, if any?
CZ: I really like the work of FormaFantasma, a very inspiring Italian architect duo.
EF: In terms of discovering new artists/designers, what are your trusted methods?
CZ: I think it's a mix of culture, intuition and spontaneous encounters … you have to know how to keep a fresh eye to feel the new currents. It is often by stepping aside, walking off the beaten tracks, leaving consecrated art behind that one allows oneself to feel, understand and discover the creations of tomorrow.
EF: What is the next piece on your radar?
CZ: I don't have a radar, what I like is getting lost along the way. This morning, when I reached my studio on foot, I had the chance to see a large sculpture of Georg Baselitz being assembled. Baselitz is a really great artist.
EF: What is the last piece you purchased?
CZ: A sculpture by Fausto Melotti, made in brass and metallic fabrics. I love the artistic poetry of Melotti, he is a pioneer of Italian art. Returning to the principles of the Italian Renaissance, he incorporated emotional experiences of modern human existence.
in your life?
