DATE

SHARE

Twitter
LinkedIn
Facebook
Email

 

Erin Wasson's New York home. Wooden door by Doyle Lane, Ivan Navaro cymbal sculpture, pink stool by Kwangho Lee and art by Mark Flood above console.
Erin Wasson's New York home. Wooden door by Doyle Lane, Ivan Navaro cymbal sculpture, pink stool by Kwangho Lee and art by Mark Flood above console.

 

Elizabeth Fazzare: How did you begin to build your own collection?

Erin Wasson: In 2002, I moved into an artist collective community in Dallas, Texas where artists, curators and makers were living and working amongst each other upstairs, while the downstairs were art gallery spaces. At the helm of this community was the great David Quadrini who owned Angstrom Gallery. It was there I was introduced to such artists as Mark Flood, Jeff Elrod, Susie Rosmarin and John Riepenhoff. I would help David hang shows as he would educate me and guide me into endless knowledge. It was then I began collecting and down the road David and I went into partnership together to open QED with Elizabeth Dee together in Los Angeles in 2005. We also went on to have a gallery in Venice and collaborated on two group shows during the Dallas Art Fair.

 

Art by Wes Lang, David Quadrini, Tyson Reeder and Matt Chambers.

 

EF: What pieces inspired you to continue?

EW: Watching artists like Erick Swenson create work that seemed alive and curating immersive spaces in which to experience these otherworldly creatures inspired me. So did seeing Vivian Suter working with natural elements in the jungle. I saw that when I was only 20. I knew I was forever hooked.

EF: What designers/artists are inspiring you right now?

EW: Gary Oglander’s pieces bring me great joy. His paintings and especially his sculptures. I’m also very much obsessed with lighting as sculpture. I’m a huge fan of Kazuhide Takahama’s Nefer floor lamps for Sirrah. Lighting is such a fundamental part of living with art.

EF: Does the marketplace help your discovery process? Why or why not?

EW: I think my actual eye guides me. A lot of my collection aren’t even collector pieces, they’re things I’ve found that truly bring me joy or make me feel something. I don’t think I’ll ever be guided by the marketplace as I’m not that kind of collector.

 

erin wasson
Erin Wasson. Portrait by Adam Secore.

 

EF: What is the next piece on your radar?

EW: David-Jeremiah is a Texas artist. I recently did a studio visit with him and I truly think he has a profound future.

EF: What is the one piece that got away?

EW: Nothing has gotten away. If anything, perhaps pieces are still waiting for me to discover them. If it’s meant to be, it’s meant to be.

Craving more culture? Sign up to receive the Cultured newsletter, a biweekly guide to what’s new and what’s next in art, architecture, design and more.

We’d Like to Come Home With You Tonight…

We’re getting ready to launch our first ever CULTURED at Home issue, packed with one-of-a-kind interiors. Pre-order your copy now and be the first to have it land at your abode.

You’ve almost hit your limit.

You’re approaching your limit of complementary articles. For expanded access, become a digital subscriber for less than $2 a week.

You’re approaching your limit of complementary articles. For expanded access, become a digital subscriber for less than $2 a week.

Already a Subscriber? Sign in Here

You’re approaching your limit of complementary articles. For expanded access, become a digital subscriber for less than $2 a week.

GET ACCESS

Already a Subscriber? Sign in Here

Want more in your life?

For less than the price of a cocktail, you can help independent journalism thrive.

Pop-Up-1_c
Already a Subscriber? Sign in Here
Pop-Up-1_c

Already a Subscriber? Sign in Here

Want more in your life?

For less than the price of a cocktail, you can help independent journalism thrive.

Pop-Up-1_c
Already a Subscriber? Sign in Here
Pop-Up-1_c

Already a Subscriber? Sign in Here

You’ve almost hit your limit.

You’re approaching your limit of complementary articles. For expanded access, become a digital subscriber for less than $2 a week.

You’re approaching your limit of complementary articles. For expanded access, become a digital subscriber for less than $2 a week.
Already a Subscriber? Sign in Here
You’re approaching your limit of complementary articles. For expanded access, become a digital subscriber for less than $2 a week.

Already a Subscriber? Sign in Here

We Have So Much More to Tell You!

This is a Critics' Table subscriber exclusive.

Join the Critics’ Table to keep reading and support independent art criticism.

Already a Subscriber? Sign in Here

Want more in your life?

For less than the price of a cocktail, you can help independent journalism thrive.

Pop-Up-1_c

Already a Subscriber? Sign in Here

Pop-Up-1_c

Already a Subscriber? Sign in Here

We have so much more to tell you.

You’ve reached your limit.

Sign up for a digital subscription, starting at less than $2 a week.

Already a Subscriber? Sign in Here

Want a seat at the table? To continue reading this article, sign up today.

Support independent criticism for $10/month (or just $110/year).

Already a subscriber? Log in.