DATE

SHARE

Twitter
LinkedIn
Facebook
Email

Darby-Routtenberg-photography

AGE: 29
BASED IN: New York
NOMINATED BY: Elle Pérez

My connection to the camera was really based in necessity. I tried going away for school, I came back, and none of my friends were left in the city. I thought, Where is my community?

I picked up a camera and just started messaging everyone in Montreal, like, "Can we work together?" I also started photographing my grandmother and her friends. I took a picture of my grandmother in a bed with a bunch of men, and another of her and her friends dressed all in Gucci—those got picked up by Hypebae and L’Officiel. We would shoot twice a year together; I realized that I was more amazed by what could happen on set and the feeling people could get from making one image than I was by the image itself.

I got to a point, around 21, where I was like, "Wait, I could self-explore." It wasn’t until then that I started taking self-portraiture seriously. I had such a high comfort level in my private life, and I said to myself, "Why can’t I bring that outside?" I just wanted to be naked in front of the camera and see what that felt like. I could be feminine and have my tits out, I could be smoking cigarettes and have my legs wide open, or I could have a mustache. I experimented with what felt right through these characters.

We’d Like to Come Home With You Tonight…

We’re getting ready to launch our first ever CULTURED at Home issue, packed with one-of-a-kind interiors. Pre-order your copy now and be the first to have it land at your abode.

You’ve almost hit your limit.

You’re approaching your limit of complementary articles. For expanded access, become a digital subscriber for less than $2 a week.

You’re approaching your limit of complementary articles. For expanded access, become a digital subscriber for less than $2 a week.

Already a Subscriber? Sign in Here

You’re approaching your limit of complementary articles. For expanded access, become a digital subscriber for less than $2 a week.

GET ACCESS

Already a Subscriber? Sign in Here

Want more in your life?

For less than the price of a cocktail, you can help independent journalism thrive.

Pop-Up-1_c
Already a Subscriber? Sign in Here
Pop-Up-1_c

Already a Subscriber? Sign in Here

Want more in your life?

For less than the price of a cocktail, you can help independent journalism thrive.

Pop-Up-1_c
Already a Subscriber? Sign in Here
Pop-Up-1_c

Already a Subscriber? Sign in Here

You’ve almost hit your limit.

You’re approaching your limit of complementary articles. For expanded access, become a digital subscriber for less than $2 a week.

You’re approaching your limit of complementary articles. For expanded access, become a digital subscriber for less than $2 a week.
Already a Subscriber? Sign in Here
You’re approaching your limit of complementary articles. For expanded access, become a digital subscriber for less than $2 a week.

Already a Subscriber? Sign in Here

We Have So Much More to Tell You!

This is a Critics' Table subscriber exclusive.

Join the Critics’ Table to keep reading and support independent art criticism.

Already a Subscriber? Sign in Here

Want more in your life?

For less than the price of a cocktail, you can help independent journalism thrive.

Pop-Up-1_c

Already a Subscriber? Sign in Here

Pop-Up-1_c

Already a Subscriber? Sign in Here

We have so much more to tell you.

You’ve reached your limit.

Sign up for a digital subscription, starting at less than $2 a week.

Already a Subscriber? Sign in Here

Want a seat at the table? To continue reading this article, sign up today.

Support independent criticism for $10/month (or just $110/year).

Already a subscriber? Log in.