DATE

SHARE

Twitter
LinkedIn
Facebook
Email

If pressure makes a diamond, then it’s perseverance that turns the precious stone into the bedrock of a family business. Laurence Graff, OBE, began his career in London’s jewelry district at only 15, working his way up from apprentice to founder of his namesake jewelry brand in 1960.

The company, which has expanded to more than 60 global salons in as many years, is now under the direction of its founder’s eldest son, Francois Graff. “To this day, we honor every diamond,” he explains, “presiding over the journey of each precious jewel.”

The company’s diamond collections—Tilda’s Bow, Laurence Graff Signature, and Butterfly among them—take their names from members of the family, or from Graff’s earliest inspirations drawn from nature. The juxtaposition of Graff jewelry and everyday objects reveals how even the most quotidian moments can be made extraordinary—with the right foundation.

graff-jewelry-collection

graff-jewelry-collection

 

graff-jewelry-collection

 

graff-jewelry-house

 

graff-jewelry-house

 

graff-jewelry-house

Modeling by Kendall Baisden at Kev Management
Hair by Shinya Nakagawa at Bridge using R+Co
Makeup by Ai Yokomizo at Bridge using Dior
Production, Studio, and Casting by Neighbors
Digital Tech by Dylan Pearce
Prop Styling by Carrie Ashley Hill at See Management
Photography Assistance by Theo Cho and Akira Kawahat

We’d Like to Come Home With You Tonight…

We’re getting ready to launch our first ever CULTURED at Home issue, packed with one-of-a-kind interiors. Pre-order your copy now and be the first to have it land at your abode.

You’ve almost hit your limit.

You’re approaching your limit of complementary articles. For expanded access, become a digital subscriber for less than $2 a week.

You’re approaching your limit of complementary articles. For expanded access, become a digital subscriber for less than $2 a week.

Already a Subscriber? Sign in Here

You’re approaching your limit of complementary articles. For expanded access, become a digital subscriber for less than $2 a week.

GET ACCESS

Already a Subscriber? Sign in Here

Want more in your life?

For less than the price of a cocktail, you can help independent journalism thrive.

Pop-Up-1_c
Already a Subscriber? Sign in Here
Pop-Up-1_c

Already a Subscriber? Sign in Here

Want more in your life?

For less than the price of a cocktail, you can help independent journalism thrive.

Pop-Up-1_c
Already a Subscriber? Sign in Here
Pop-Up-1_c

Already a Subscriber? Sign in Here

You’ve almost hit your limit.

You’re approaching your limit of complementary articles. For expanded access, become a digital subscriber for less than $2 a week.

You’re approaching your limit of complementary articles. For expanded access, become a digital subscriber for less than $2 a week.
Already a Subscriber? Sign in Here
You’re approaching your limit of complementary articles. For expanded access, become a digital subscriber for less than $2 a week.

Already a Subscriber? Sign in Here

We Have So Much More to Tell You!

This is a Critics' Table subscriber exclusive.

Join the Critics’ Table to keep reading and support independent art criticism.

Already a Subscriber? Sign in Here

Want more in your life?

For less than the price of a cocktail, you can help independent journalism thrive.

Pop-Up-1_c

Already a Subscriber? Sign in Here

Pop-Up-1_c

Already a Subscriber? Sign in Here

We have so much more to tell you.

You’ve reached your limit.

Sign up for a digital subscription, starting at less than $2 a week.

Already a Subscriber? Sign in Here

Want a seat at the table? To continue reading this article, sign up today.

Support independent criticism for $10/month (or just $110/year).

Already a subscriber? Log in.