WORDS

DATE

SHARE

Twitter
LinkedIn
Facebook
Email
magma-bottega-veneta
All images courtesy of Bottega Veneta.

Magma, a new publication created with support from Bottega Veneta, adopts the artistic and intellectual essence of 20th century revues d'art, a time when boozy, smoke-filled salons and cafés were the go-to destinations for stimulating cultural dialogue between avant-garde artists and critics.

The magazine opens a new chapter for the fashion house, which is now dipping its toes in the world of publishing with the help of Paul Olivennes, who has assumed the role of editor-in-chief and creative director. He found inspiration in art journals early on in his own career as a publisher, and thus set out to create an almanac that would reinvigorate the link between the artistic and literary worlds. 

"At a time when artists' and writers' freedom of expression is increasingly restricted by formats and media, we wanted them to be able to use Magma as freely and as intimately as possible," he wrote on Instagram, "and for readers, in turn, to enjoy an unmediated experience of art and writing."

The inaugural edition of Magma features 18 artists and more than 80 works of art and literary texts, all previously unpublished or created specifically for the issue. Art Directors Helena Kadji and Rocío Ortiz of Faye and Gina curated a diverse selection of pieces—some stand-out works include Luigi Ghirri’s photographs accompanied by writing from novelist Erri de Luca, as well as collages from Norwegian-Nigerian artist Frida Orupabo and previously unpublished letters written by René Char.  

magma-bottega-veneta
Artowrk by Claude Nori.
magma-bottega-veneta
magma-bottega-veneta
Artwork by Frida Orupabo.
magma-bottega-veneta

Swiss curator and Serpentine Galleries Artistic Director Hans Ulrich Obrist, who wrote Magma's preface, explained that “Magma brings worlds into contact with other worlds.” The magazine aims to tell a broader story through its curation and flow, harkening back to a pre-digital age in which creative pursuits were given more than 140 characters of consideration. In this space, art and literature act as companions as well as constructive critics of each other. In a statement, Olivennes described the experience as, “a dive into the intimacy, the creative magma, of the art.” 

Though it is produced by an Italian fashion house, the issue has been printed in French and English. The inaugural edition of the henceforth annual publication has a hard cloth cover and retails for 60 euros, now available in a 2000 copy, limited-edition run. 

We’d Like to Come Home With You Tonight…

We’re getting ready to launch our first ever CULTURED at Home issue, packed with one-of-a-kind interiors. Pre-order your copy now and be the first to have it land at your abode.

You’ve almost hit your limit.

You’re approaching your limit of complementary articles. For expanded access, become a digital subscriber for less than $2 a week.

You’re approaching your limit of complementary articles. For expanded access, become a digital subscriber for less than $2 a week.

Already a Subscriber? Sign in Here

You’re approaching your limit of complementary articles. For expanded access, become a digital subscriber for less than $2 a week.

GET ACCESS

Already a Subscriber? Sign in Here

Want more in your life?

For less than the price of a cocktail, you can help independent journalism thrive.

Pop-Up-1_c
Already a Subscriber? Sign in Here
Pop-Up-1_c

Already a Subscriber? Sign in Here

Want more in your life?

For less than the price of a cocktail, you can help independent journalism thrive.

Pop-Up-1_c
Already a Subscriber? Sign in Here
Pop-Up-1_c

Already a Subscriber? Sign in Here

You’ve almost hit your limit.

You’re approaching your limit of complementary articles. For expanded access, become a digital subscriber for less than $2 a week.

You’re approaching your limit of complementary articles. For expanded access, become a digital subscriber for less than $2 a week.
Already a Subscriber? Sign in Here
You’re approaching your limit of complementary articles. For expanded access, become a digital subscriber for less than $2 a week.

Already a Subscriber? Sign in Here

We Have So Much More to Tell You!

This is a Critics' Table subscriber exclusive.

Join the Critics’ Table to keep reading and support independent art criticism.

Already a Subscriber? Sign in Here

Want more in your life?

For less than the price of a cocktail, you can help independent journalism thrive.

Pop-Up-1_c

Already a Subscriber? Sign in Here

Pop-Up-1_c

Already a Subscriber? Sign in Here

We have so much more to tell you.

You’ve reached your limit.

Sign up for a digital subscription, starting at less than $2 a week.

Already a Subscriber? Sign in Here

Want a seat at the table? To continue reading this article, sign up today.

Support independent criticism for $10/month (or just $110/year).

Already a subscriber? Log in.