DATE

SHARE

Twitter
LinkedIn
Facebook
Email

The invite promised that this would be an Art Basel fête like no other and it was. Cultured and Ferragamo rolled out the red carpet at the Red Rooster Overtown in Miami for a starmix bag of guests lead by Hugh Hayden, Derrick Adams, Sarah Harrelson and Ferragamo CEO, Daniella Vitale. Step-and-repeat flashes went off all night like a strobe with late arrivals pushing through the throngs eager to catch musician Moses Sumney’s soulful set. Those already inside waited on the dance floor with big coups of sunset-colored drinks or with friends and strangers tucked into leather booths to gossip. There was a lot to discuss—the fairs, the parties, the outfits, the sales. In the thicket of personalities, we spied Venus Williams, Adam Levine, Rilley Opelka, Anastasia Karanikolaou, Venus X, Joel Lubin, Lucas Jagger, Sidra Smith, Winston Duke and Gaia Matisse. Young artist list alumni Tourmaline, Diedrick Brackens, April Bey and Awol Erizku also attended.

When Moses took to the stage for a transcendent performance, it reminded us of our summer interview with the singer and peer Caroline Polachek in which they discussed the mechanics of songwriting. “I think about color sometimes when singing,” Moses had said. “I think about temperature, warmth or what’s warm, what’s cool.” As the set went on, we wondered where his thoughts were: did the warm Miami sun make it into the song? If we captured it on iPhones all together, could we keep even of a fraction of what it felt like to be with friends again on a balmy winter night? We’ll be headed to Red Rooster New York’s gospel brunch on Sunday in case technology fails us and we need to be fed again.

Marcus Samuelsson, Moses Sumney, Venus Williams, Sarah Harrelson, Daniella Vitale
Moses Sumney
Awol Erizku
Hugh Hayden
Anastasia Karanikolaou
Venus Williams
Josephine Skriver, Jasmine Tookes
Jeremy Pope
Lili Buffett, Casey Fremont Crowe, Elizabeth Kurpis, Carolyn
Lucas Jagger

We’d Like to Come Home With You Tonight…

We’re getting ready to launch our first ever CULTURED at Home issue, packed with one-of-a-kind interiors. Pre-order your copy now and be the first to have it land at your abode.

You’ve almost hit your limit.

You’re approaching your limit of complementary articles. For expanded access, become a digital subscriber for less than $2 a week.

You’re approaching your limit of complementary articles. For expanded access, become a digital subscriber for less than $2 a week.

Already a Subscriber? Sign in Here

You’re approaching your limit of complementary articles. For expanded access, become a digital subscriber for less than $2 a week.

GET ACCESS

Already a Subscriber? Sign in Here

Want more in your life?

For less than the price of a cocktail, you can help independent journalism thrive.

Pop-Up-1_c
Already a Subscriber? Sign in Here
Pop-Up-1_c

Already a Subscriber? Sign in Here

Want more in your life?

For less than the price of a cocktail, you can help independent journalism thrive.

Pop-Up-1_c
Already a Subscriber? Sign in Here
Pop-Up-1_c

Already a Subscriber? Sign in Here

You’ve almost hit your limit.

You’re approaching your limit of complementary articles. For expanded access, become a digital subscriber for less than $2 a week.

You’re approaching your limit of complementary articles. For expanded access, become a digital subscriber for less than $2 a week.
Already a Subscriber? Sign in Here
You’re approaching your limit of complementary articles. For expanded access, become a digital subscriber for less than $2 a week.

Already a Subscriber? Sign in Here

We Have So Much More to Tell You!

This is a Critics' Table subscriber exclusive.

Join the Critics’ Table to keep reading and support independent art criticism.

Already a Subscriber? Sign in Here

Want more in your life?

For less than the price of a cocktail, you can help independent journalism thrive.

Pop-Up-1_c

Already a Subscriber? Sign in Here

Pop-Up-1_c

Already a Subscriber? Sign in Here

We have so much more to tell you.

You’ve reached your limit.

Sign up for a digital subscription, starting at less than $2 a week.

Already a Subscriber? Sign in Here

Want a seat at the table? To continue reading this article, sign up today.

Support independent criticism for $10/month (or just $110/year).

Already a subscriber? Log in.